DEMONSTROSITY AND THE GODDESS COMPLEX
How can a costume lead and audience through a participatory performance which examines the intersections of identity(ies) through movement.
Inspried by Donna Haraway’s concept of the monster as an approach to anti-essentialism and intersectionality, I am currently researching
how a costume(s) could be used as a way to support a participatory movement performance which examines a contemporary interplay
of indiviuality and collectivity. Research funded by der Fonds Darstellende Künste with the Neu Start Kultur #takeheart program.
