HEY GIRL, WHERE’D YOU GO? (2025)
A participatory music theater piece which follows Steph, (sung by Emma Rothmann) a 55-year-old woman navigating the social and economic forces which have pushed her towards housing insecurity. She is both supported and derailed by an (imaginary) pixie demon named ‘Pickle’ (played by Anne Fidler) who has a concerning obsession with Orca whales.
The piece explores the intersection of aging, gender, and housing insecurity, through a bold fusion of opera, cabaret, and performance art. Steph’s disintegrating reality is mirrored through the use of a fragmented narrative structure, soundscapes and individual musical numbers. It invites audiences to both witness and participate in the piece creating a raw and dynamic theatrical experience that is as absurd as it is intimate.
Currently in development. First workshop performances were held in September 2025 at the Berliner Ringtheater.
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Concept, Direction and Text by Anne Marina Fidler. Music by Emma Rothmann. Performed by Rothmann and Fidler. Initial development supported by Berliner Ringtheater
A participatory music theater piece which follows Steph, (sung by Emma Rothmann) a 55-year-old woman navigating the social and economic forces which have pushed her towards housing insecurity. She is both supported and derailed by an (imaginary) pixie demon named ‘Pickle’ (played by Anne Fidler) who has a concerning obsession with Orca whales.
The piece explores the intersection of aging, gender, and housing insecurity, through a bold fusion of opera, cabaret, and performance art. Steph’s disintegrating reality is mirrored through the use of a fragmented narrative structure, soundscapes and individual musical numbers. It invites audiences to both witness and participate in the piece creating a raw and dynamic theatrical experience that is as absurd as it is intimate.
Currently in development. First workshop performances were held in September 2025 at the Berliner Ringtheater.
WATCH TRAILER
Concept, Direction and Text by Anne Marina Fidler. Music by Emma Rothmann. Performed by Rothmann and Fidler. Initial development supported by Berliner Ringtheater
CRISIS KARAOKE (2024)
Crisis Karaoke is a 5-part series of performance- experiments examining how deep feelings of grief, rage and sadness are physiologically embodied and articulated through the human singing voice. Together with the audience, Anne uses the device of karaoke to traverse through an archive of cross-cultural pop music to discover vocal and lyrical templates for expressions of deep emotions. Through the use of somatic vocal techniques and polyvagal practices, she invites the audience to explore how the voice can fill the chasms inside of and between our bodies to offer new ways of being together through performance, fostering connection and collective agency.
Part of the ‘Cultural Community Center’ project at Heizhaus Uferstudios.
Co-production of PSR Collective and Heizhaus Uferstudios
REMEDIES AGAINST PANIC - A KAROKE MUSICAL
‘Remedies Against Panic’ is a participatory musical theater experience that dares to imagine the end of capitalism. Told through a partially improvised narrative created in co-action with the audience, it uses the pop music of the 1980s, (a time when western capitalism seemed at its peak) to tell the tale of its demise.
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Written, directed and performed by Anne Marina Fidler with dramaturgical support from Sarah Thom. Co-production of PS Communitism and Home of Performance Practices.
‘Remedies Against Panic’ is a participatory musical theater experience that dares to imagine the end of capitalism. Told through a partially improvised narrative created in co-action with the audience, it uses the pop music of the 1980s, (a time when western capitalism seemed at its peak) to tell the tale of its demise.
WATCH TRAILER
Written, directed and performed by Anne Marina Fidler with dramaturgical support from Sarah Thom. Co-production of PS Communitism and Home of Performance Practices.
SLUT: A LOVE STORY (2021)
A one-woman manifesto of joyous, feminist, sexual exploration. SLUT is an autobiographical work that uses cabaret, comic subversion and physicality to crtically engage with delicate topics.
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Written, directed and performed by Anne Marina Fidler with dramaturgy and video projections by Declan Hurley. Co-produced by Home of Performance Practices.
CROWNING GLORY (2019)
A video installation and performance examining the connection between hair and female sexuality. Completed during a residency at Park Park Studios in Brussels, it was exhibited in October 2019 with an accopanying performance.
WATCH HERE