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	<title>Anne Marina Fidler</title>
	<link>https://annemarinafidler.com</link>
	<description>Anne Marina Fidler</description>
	<pubDate>Mon, 29 Sep 2025 09:38:16 +0000</pubDate>
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		<title>Hey Girl, Where'd ya go</title>
				
		<link>https://annemarinafidler.com/Hey-Girl-Where-d-ya-go</link>

		<pubDate>Mon, 29 Sep 2025 09:38:16 +0000</pubDate>

		<dc:creator>Anne Marina Fidler</dc:creator>

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HEY GIRL, WHERE’D YOU GO? (2025)
A participatory music theater piece which follows Steph, (sung by Emma Rothmann) a 55-year-old woman navigating the social and economic forces which have pushed her towards housing insecurity.&#38;nbsp; She is both supported and derailed by an (imaginary) pixie demon named ‘Pickle’ (played by Anne Fidler) who has a concerning obsession with Orca whales.
 
The piece explores the intersection of aging, gender, and housing insecurity, through a bold fusion of opera, cabaret, and performance art.&#38;nbsp; Steph’s disintegrating reality is mirrored through the use of a fragmented narrative structure, soundscapes and individual musical numbers. &#38;nbsp;It invites audiences to both witness and participate in the piece creating a raw and dynamic theatrical experience that is as absurd as it is intimate.
Currently in development. First workshop performances were held in September 2025 at the Berliner Ringtheater.WATCH TRAILER
Concept, Direction and Text by Anne Marina Fidler. Music by Emma Rothmann.&#38;nbsp; Performed by Rothmann and Fidler. Initial development supported by Berliner Ringtheater

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		<title>Crisis Karaoke</title>
				
		<link>https://annemarinafidler.com/Crisis-Karaoke</link>

		<pubDate>Fri, 05 Sep 2025 16:44:12 +0000</pubDate>

		<dc:creator>Anne Marina Fidler</dc:creator>

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CRISIS KARAOKE (2024)




	
		
		
	
	
		
			
				
					
Crisis Karaoke is a 5-part series of performance-
experiments examining how deep feelings of grief,
rage and sadness are physiologically embodied
and articulated through the human singing voice.
Together with the audience, Anne uses the device of karaoke to traverse through
an archive of cross-cultural pop music to discover
vocal and lyrical templates for expressions of
deep emotions. Through the use of somatic vocal
techniques and polyvagal practices, she invites the audience to explore how the voice can fill the
chasms inside of and between our bodies to offer
new ways of being together through performance,
fostering connection and collective agency.



	
		
		
	
	
		
			
				
					
Part of the ‘Cultural Community Center’ project
at Heizhaus Uferstudios.

					
Co-production of
PSR Collective and Heizhaus Uferstudios

				
			
		
	


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	<item>
		<title>remedies </title>
				
		<link>https://annemarinafidler.com/remedies</link>

		<pubDate>Tue, 03 Mar 2020 12:23:06 +0000</pubDate>

		<dc:creator>Anne Marina Fidler</dc:creator>

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REMEDIES AGAINST PANIC - A KAROKE MUSICAL
‘Remedies Against Panic’ is a participatory musical theater experience that dares to imagine the end of capitalism. Told through a partially improvised narrative created in co-action with the audience, it uses the pop music of the 1980s, (a time when western capitalism seemed at its peak) to tell the tale of its demise.&#38;nbsp;WATCH TRAILER
Written, directed and performed by Anne Marina Fidler with dramaturgical support from Sarah Thom. Co-production of PS Communitism and&#38;nbsp; Home of Performance Practices. 


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		<title>slut</title>
				
		<link>https://annemarinafidler.com/slut</link>

		<pubDate>Tue, 03 Mar 2020 11:09:47 +0000</pubDate>

		<dc:creator>Anne Marina Fidler</dc:creator>

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SLUT: A LOVE STORY (2021)


A one-woman manifesto of joyous, feminist, sexual exploration. SLUT is an&#38;nbsp; autobiographical work that uses cabaret, comic subversion and physicality
to crtically engage with delicate topics.
 WATCH TRAILER
Written, directed and performed by Anne Marina Fidler with dramaturgy and video projections by Declan Hurley. Co-produced by Home of Performance Practices.

				
			
		
	


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		<title>Crowning Glory</title>
				
		<link>https://annemarinafidler.com/Crowning-Glory</link>

		<pubDate>Sun, 23 Feb 2020 21:28:39 +0000</pubDate>

		<dc:creator>Anne Marina Fidler</dc:creator>

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CROWNING GLORY (2019)


A video installation and performance examining&#38;nbsp; the connection between hair and female sexuality.&#38;nbsp; Completed during a residency at Park Park Studios in Brussels, it was exhibited in October 2019 with an accopanying performance.
WATCH HERE

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		<title>tetris</title>
				
		<link>https://annemarinafidler.com/tetris</link>

		<pubDate>Sun, 23 Feb 2020 21:28:39 +0000</pubDate>

		<dc:creator>Anne Marina Fidler</dc:creator>

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JUST TRYING TO FIT IN&#38;nbsp;(2013)

An interactive dance performance with the city as a partner. Outsiders try to fit themselves in to a new and often unwelcoming place. Wearing six oversized soft sculptures, the performers try to literally fit themseleves into the city around them. Performed as part of Nacht und Nebel in Berlin. 




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		<title>spinster</title>
				
		<link>https://annemarinafidler.com/spinster</link>

		<pubDate>Mon, 24 Feb 2020 23:16:48 +0000</pubDate>

		<dc:creator>Anne Marina Fidler</dc:creator>

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SPINSTER (2010-2020)
























A performance about the choking expectation of motherhood and an examination of how women are, still to this day, confined and defined by the act of childbirth.First&#38;nbsp; performed at the conclusion of a residency at Lobot Gallery in Oakland, CA, it has continued to develop over the last decade, most recently being invited for exhibition during a performance series in Oslo, Norway



&#38;nbsp;
WATCH HERE





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	<item>
		<title>SHOWREEL</title>
				
		<link>https://annemarinafidler.com/SHOWREEL</link>

		<pubDate>Sun, 30 Sep 2018 20:28:23 +0000</pubDate>

		<dc:creator>Anne Marina Fidler</dc:creator>

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		<title>le couteau jaune</title>
				
		<link>https://annemarinafidler.com/le-couteau-jaune</link>

		<pubDate>Sun, 01 Mar 2020 21:55:28 +0000</pubDate>

		<dc:creator>Anne Marina Fidler</dc:creator>

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LE COUTEAU JAUNE (2006-2009)


A live art/noise performance collective based in London. The work combined homemade costumes, offensive poetry, improvised noise, cardboard props, audience participation and D.I.Y. pyrotechnics. These created site-specific, fun-filled, humorous scenarios, adhering to the artistic doctrine of availabilsm, begged the audience to question what it meant to ‘be a band’ Between 2006 and 2009, they&#38;nbsp; were consistanlty&#38;nbsp; invited to perform at galleries, art festivals and music venues across the UK and Europe.







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		<title>The Faun</title>
				
		<link>https://annemarinafidler.com/The-Faun</link>

		<pubDate>Fri, 02 Feb 2024 14:31:50 +0000</pubDate>

		<dc:creator>Anne Marina Fidler</dc:creator>

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THE FAUN (2024)

























	
		
		
	
	
		
			
				
					
						Costume Designer for this dance piece directed by Camilla Malenchini, which premiered at Tanztage Berlin 2024 at Sophiensaele. Using the infamous Nijinsky ballet by the same name as a base, the work re-imagines the work through a queer, contemporary lens.WATCH TRAILER




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