AUTONOMAT (2019)
A one-reel super 8 film, edited entireley in camera, about seeking alternative versions of ourselves in alternative realities. A large cast of characters weave a story through surreal locations created with oversized objects and elaborate costumes. Co-written and directed with Declan Hurley, Autonomat, was officially selected to be screened at Cannes International Film Festival 2019 and also for the Straight 8 Film Festival in London.
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CROWNING GLORY (2019)
A video installation and performance examining the connection between hair and female sexuality. Completed during a residency at Park Park Studios in Brussels, it was exhibited in October 2019 with an accopanying performance.
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JUST TRYING TO FIT IN (2013)
An interactive performance about outsiders trying to fit themselves in to a new and often unwelcoming place. Wearing six oversized soft sculptures, the performers tried to literally fit themseleves into the city around them. Performed as part of Nacht und Nebel in Berlin.
An interactive performance about outsiders trying to fit themselves in to a new and often unwelcoming place. Wearing six oversized soft sculptures, the performers tried to literally fit themseleves into the city around them. Performed as part of Nacht und Nebel in Berlin.
DUMB FUCKS (2016)
Large wearable soft sculptures use a cartoonish and exagerated style to confront the taboo of female sexuality. Used by Peaches for the ‘Dumb Fuck’ music video, and in live shows on the Rub Tour as well as ‘There’s Only One Peach with a Hole in the Middle’ at Kampnagel in Hamburg and The Royal Festival Hall in London.
Large wearable soft sculptures use a cartoonish and exagerated style to confront the taboo of female sexuality. Used by Peaches for the ‘Dumb Fuck’ music video, and in live shows on the Rub Tour as well as ‘There’s Only One Peach with a Hole in the Middle’ at Kampnagel in Hamburg and The Royal Festival Hall in London.
SHORTCUT (2018)
A music video for Berlin-based artist, Stephen Paul Taylor. It was shot in one take, with ten dancers and over forty cardboard props on the streets of Berlin, becoming a live performance and video shoot at once. The aethetics play upon ideas of escapism, naivety and childhood memory to tackle a song about trauma and pain. It was nominated for ‘Best Low-budget Video’ at the Berlin Music Video Awards 2019.
WATCH HERE