REMEDIES AGAINST PANIC - A KAROKE MUSICAL
‘Remedies Against Panic’ is a participatory musical theater experience that dares to imagine the end of capitalism. Told through a partially improvised narrative created in co-action with the audience, it uses the pop music of the 1980s, (a time when western capitalism seemed at its peak) to tell the tale of its demise.
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Written, directed and performed by Anne Marina Fidler with dramaturgical support from Sarah Thom. Co-production of PS Communitism and Home of Performance Practices.
‘Remedies Against Panic’ is a participatory musical theater experience that dares to imagine the end of capitalism. Told through a partially improvised narrative created in co-action with the audience, it uses the pop music of the 1980s, (a time when western capitalism seemed at its peak) to tell the tale of its demise.
WATCH TRAILER
Written, directed and performed by Anne Marina Fidler with dramaturgical support from Sarah Thom. Co-production of PS Communitism and Home of Performance Practices.
SLUT: A LOVE STORY (2021)
A one-woman manifesto of joyous, feminist, sexual exploration. SLUT is an autobiographical work that uses cabaret, comic subversion and physicality to crtically engage with delicate topics.
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Written, directed and performed by Anne Marina Fidler with dramaturgy and video projections by Declan Hurley. Co-produced by Home of Performance Practices.
FORNIPHILE
A short erotic film made for Erika Lust’s Xconfessions series. Forniphile is a moody and surreal film focused on domination, submission and female pleasure.
DEEP DANCING (2021)
Costume Designer for an interactive one-on-one performance work by CHICKS* freies performanzkollectiv. The piece deals with the queering of couples ballroom dancing.
Co-produced by CHICKS* and FREISCHWIMMEN. Funded by Fonds Darstellende Künste
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Photos by Paula Reissig and Dorothea Tuch
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CROWNING GLORY (2019)
A video installation and performance examining the connection between hair and female sexuality. Completed during a residency at Park Park Studios in Brussels, it was exhibited in October 2019 with an accopanying performance.
WATCH HERE